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And then a fire struck
On the evening of my seventh day of listening to the Contour 20s, I removed the tiny Bel Canto powerhouse and replaced it with Line Magnetic's LM-518 IA tubed integrated amplifier (22Wpc). I attached the Contour 20s to the LM-518's 4-ohm taps and, gosh-dang me, suddenly I could relax. I played Charlie Haden/Jim Hall, recorded live at the Montreal Jazz Festival in 1990 (CD, Impulse!/Blue Note 002176502), kind of loud, and instantly realized that it was the Bel Canto that had been causing my discomfort. How could only 22Wpc be making Haden's double bass sound so much bigger and more real? How could Hall's guitar have so much more sweet liquidity? New life and color emerged. Folks, I'd just switched from 400Wpc class-D to 22Wpc class-A. How could this happen?
然后一场大火袭来:
第七天的晚上,我继续听轮廓20s,但我抛弃了Bel Canto功放,取而代之的是励磁LM-518 IA胆机合并功放( 22wpc )。我把轮廓20s连接到LM - 518的4欧姆水龙头,天哪,我突然可以放松一下了。我播放的是1990年蒙特利尔爵士音乐节上演奏查理·哈登/吉姆·霍尔。( CD,冲动/蓝注002176502 ),声音有点大,立刻意识到是之前Bel Canto功放让我听着不舒服。只有22Wpc怎么能让哈登的低音变得更大更高?真的吗 霍尔的吉他怎么会有这么多甜蜜的流动性?新的生命和色彩出现了。伙计们,我刚刚从Bel Canto的400Wpc级调到励磁22Wpc级。怎么会这样?
详细测评见以下链接:
https://www.stereophile.com/cont ... -loudspeaker-page-2 |
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