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[线下活动] 郎朗获查尔斯王子颁英国皇家音乐学院荣誉博士

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发表于 2011-5-14 00:23 | 显示全部楼层 |阅读模式

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查尔斯王子为郎朗颁发英国皇家学院荣誉博士学位证
郎朗手持英国皇家音乐学院荣誉博士学位仪式邀请函


查尔斯王子签发的荣誉博士证书
伦敦时间5月12日,28岁的国际钢琴巨星郎朗接受英国查尔斯王子颁发的英国皇家音乐学院(Royal College of Music)音乐荣誉博士学位,成为首获此荣誉的中国人和最年轻的艺术家。郎朗因其国际顶尖的艺术造诣和艺术地位,以及在文化艺术、教育和慈善领域做出的突出贡献,获得了世界著名音乐学府英国皇家音乐学院荣誉博士学位,成为历届获得英国皇家音乐学院荣誉博士学位中最年轻的一位音乐家,也是有史以来第一位中国人。
英国皇家音乐学院荣誉博士的颁发仪式在位于伦敦的英国皇家音乐学院布里顿剧院举行,仪式后获奖人及嘉宾们在Amaryllis Fleming音乐厅欣赏由在校生演奏的音乐会。当查尔斯王子抵达英国皇家音乐学院的那一刻,舞台上的幕布缓缓升起,管乐团奏起欢乐的乐章欢迎这位重要的英国皇室成员走上舞台。 英国皇家音乐学院的院长温斯顿先生宣读郎朗的杰出成就和授予郎朗荣誉博士学位的缘由。接着查尔斯王子亲自授予郎朗荣誉博士学位证书。
英国皇家音乐学院决定授予郎朗荣誉博士学位,正是由于他多年来在艺术、慈善、教育领域中作出的杰出贡献以及对年轻一代广泛而深远的影响力。郎朗在国际上产生的巨大影响力被国际媒体称为“郎朗效应”、“郎朗钢琴时代”, 2008年8月8日郎朗应邀在第29届北京奥运会开幕式上表演长达八分钟的钢琴独奏《星光》,全球共有四十亿观众通过电视转播观看了他的表演,他已成为中国腾飞于世界的象征。从2004年起,郎朗担任联合国儿童基金会亲善大使,曾亲赴非洲为孩子们带去音乐和欢乐。2008年,他成立了郎朗国际音乐基金会,旨在资助和教育优秀的琴童,并在广大孩子中普及古典音乐,培养未来的古典音乐大师。迄今为止,已有很多热爱音乐的琴童已通过郎朗国际音乐基金会活动获得帮助和成长。今年,他在国内成立了郎朗音乐世界,他拥有国际钢琴教育的知识和经验,希望把这些新的教育方式带回到祖国,为中国学钢琴的孩子提供更好的学习、交流和演出机会。

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发表于 2011-5-14 04:17 | 显示全部楼层
丹尼尔 捧出的 东北大碴子
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发表于 2011-5-14 04:22 | 显示全部楼层
一星评价 1.0 out of 5 stars

Lang Lang rates far down a long list of musicians - and pianists, January 23, 2011
- and pianists, January 23, 2011
By Tristan-Marlowe "dofaust" (SF Bay area) - See all my reviews
This review is from: Lang Lang Live in Vienna (2 CD) (Audio CD)
The ex third-world seems to be neglecting its sublime and
exquisite strengths in high visual art at present.
Where are the many masters of Chinese landscapes that we should see
emerging from a Billion people? Instead there seems some
ill-conceived attempt to embrace major-league musical performance,
although the players have not yet graduated from the high minors.

Contrary to what is often said, that LL is rated on his
looks - most of the musicians from the (previous) third world
can easily be identified by sound, NOT sight. Anyone who thinks
LL is hot stuff, is thinking about the _keyboard_ primarily,
and not about the music. It is the difFerence between a
student/apprentice and a storyteller.

The unwashed public has always liked attractive, glamorous,
and loud and fast in the case of piano players -witness Moreau & Liszt
- the first modern musical superstars/storytellers in several ways.
But notice also , they were very accomplished composers.....
Consider the implications.

I neither hear not get the slightest sense of _warmth_ either,
nor of the sublime phrasing that is the hallmark of major-league
musicians.... He does love to show off his dynamic range though -
unfortunately he seems to do so at very inappropriate points in the
piece. A sense of thematic unity is invariably missing.
Just on example of dozens: Listen to LL's rendition of the Appassionata
versus that of Arthur Rubinstein, or of Brendel, or even of the less-known
Hans Richter-Hauser. Thematic unity, and a _story_ are laid before
us when all those but LL plays that piece and most of his other
Beethoven repetoire. He does do justice to beethoven's
superficial ceremonial military music though....

when I hear LL. It is as if he is a great actor and showman,
rather than a musician, again. It is clear he may love music, and
has been working on it since childhood....but there is an electricity
and love, and connection, and involvement with the music - rather
than with the _audience_ that is missing.

I predict it will be a good century at least before the ex-3rd world
learns and conveys the soul of western classical high art music.

I won't waste a minute, or spend a cent on LL, when there
are several dozen relatively neglected pianist-musicians,
who are truly major league. Nakayama in the SF Bay area
alone, impresses one by his insights into the music....but
seems to offered only 2nd rate venues: He is not attractive enough.

Consider: it took a country of a BILLION people to produce ONE
LL, whereas a single very small semitic tribe has completely mastered
all genres of western high musical art for over two centuries.
(Often against high odds in the process: Genocide, for one...)
Other countries in Europe have similar track records, especially
in the sublimity of their their composers. I need not mention
their names, they are so obvious.

The US has much to be proud of in the art form, but we still have
only rarely reached the level of greatness of the various European
schools of composition and performance.... our Bernsteins, Copelands,
Harris's, Gershwins, Basie's, and Brubeck's etc. seem to becoming
more rare, mores the pity.

There's only some reassurance we have from our never-ending monopoly on
owning the best of musical theater. (And I don't include the often ugly,
hackneyed, tine-deaf, and flawed rhythms of our new composers, or the
Brits relatively newer composers for the theater. They seem to have skipped
musucial theory that suggest that real music has all three: HARMONY, MELODY, AND RHYTHM.
There is a ray of light in the best of the best "sound track" composers -
a separate story. I liked "Cats" enormously, but I predict that its
sentimentality will be its downfall in the long run...

Life is short, with no time to dally on less than the sublime,
esp in certain realms....

[ 本帖最后由 enki 于 2011-5-14 04:28 编辑 ]
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发表于 2011-5-14 09:04 | 显示全部楼层
好样的.
音联邦
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 楼主| 发表于 2011-5-14 09:13 | 显示全部楼层
郎朗不会贿赂查尔斯王子,而得到的一本英国皇家学院荣誉博士学位证书吧![s:41] [s:41]
香港弦声音响
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发表于 2011-5-14 09:20 | 显示全部楼层
郎朗好样的。
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发表于 2011-5-14 09:33 | 显示全部楼层
真是个棒小伙子!
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发表于 2011-5-14 09:36 | 显示全部楼层
朗朗的演出表情过于造作,有些恶心。
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发表于 2011-5-14 10:33 | 显示全部楼层
支持朗朗,他的得奖狠狠抽了某些汉奸的耳光。
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发表于 2011-5-14 11:15 | 显示全部楼层
原帖由 斯爷 于 2011-5-14 10:33 发表
支持朗朗,他的得奖狠狠抽了某些汉奸的耳光。

可能是查尔斯自己抽了自己一耳光了吧!
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发表于 2011-5-14 11:22 | 显示全部楼层
可能是要当查尔斯的驸马了吧?

朗朗爹说过的--非公主不娶呀![s:97] [s:97]
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发表于 2011-5-14 11:26 | 显示全部楼层
查尔斯王子有女儿吗?[s:31]
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发表于 2011-5-14 11:28 | 显示全部楼层
王室里随便找个娘们就行了吗![s:97]
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 楼主| 发表于 2011-5-14 11:33 | 显示全部楼层

回复 13# 东北傻帽 的帖子

看来英国皇室认可被包装的朗朗!
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发表于 2011-5-14 11:41 | 显示全部楼层
英国皇室也就那鸡巴回事!也别把他们看得太神![s:15]
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