关于专业CD机家用的问题请教

双面判官

   偶尔见坛里有烧友谈起专业cd机，说比起家用机来有不少优点：结实耐用、监听风格、音域宽等。在下甚为心动，但有几个问题想请教各位DX:
   1,既然专业CD机有这么多优点，为什么玩它的烧友却很少？有用过专业机的朋友请出来谈谈！
   2，专业CD和家用机在音色主要有什么区别？寿命是否是家用机的几倍？
   3，专业CD会不会和专业功放一样音质偏硬？如果真是这样的话，可否只用来当转盘，再外接DAC？
   4，不知有哪些型号的专业cd带有同轴和光纤输出接口的？
    5，请懂行的朋友介绍几款性价比，耐用，音质较好的机型！

     请各位懂行的朋友赐教！

wenfeng

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每个人的听音偏好是不同的。但是都是以专业CD的中性，平衡，准确为准。设计民用机时每个品牌都有自己的偏好，人声暖厚，高频柔...等等。
   其实很少人会接触到专业CD,就没什么评论的，玩过的也不出来水。寿命肯定比民用机长得多，用料普通没有用大补，但元件的选用，设计到位，不偏重任何音色，所以没有音质偏硬的说法！只有我们听惯民用机加了味精的音色来评论专业CD.

也容欲

正在用专业CD加DAC，声音不错。

双面判官

原帖由 wenfeng 于 2009-5-28 20:04 发表
每个人的听音偏好是不同的。但是都是以专业CD的中性，平衡，准确为准。设计民用机时每个品牌都有自己的偏好，人声暖厚，高频柔...等等。
   其实很少人会接触到专业CD,就没什么评论的，玩过的也不出来水。寿命肯定比 ...

谢谢！受教了！

双面判官

原帖由 也容欲 于 2009-5-28 21:25 发表
正在用专业CD加DAC，声音不错。

不知兄台用的具体是什么型号的CD和DAC？以什么方式连接？

999369

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1. 舞台、現場播音、各种晚會。
2. 錄音室或相關專業。
3. 廣播電台、電視台。
4. 影片製作、原聲帶製作。
  可從美金三位數到五位數，接觸最多大都是第一項  參考[s:15]

[ 本帖最后由 999369 于 2009-5-30 02:42 编辑 ]

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CD-601mkII
The TASCAM CD-601mkII is a fully-redesigned version of the radio-standard CD player. With its comprehensive remote control and flexible monitoring and playback options, the CD-601mkII goes far beyond the capabilities of traditional CD players for broadcast. The radio presenter can select between online play (on the air) and monitor play (pre-listen), controlling whether CD playback reaches the on-air mixer or the monitoring device.

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DS-D98
The Super Audio CD (SACD) format is based upon Direct Stream Digital (DSD) processing, a technology that records audio signals at a high sampling frequency of 2.8224 MHz, and converts them to 1-bit data. This achieves unprecedented sonic quality without the decimation and interpolation stages associated with conventional PCM technology.

Up until now recording DSD data was only possible two tracks at a time on a stand-alone recorder, or on a workstation.

The new TASCAM DS-D98 is based on the popular DA-98HR high resolution DTRS multitrack recorder. The DS-D98 can be configured in both a DSD two-track and PCM multitrack format.

This new acquisition and mixdown recorder is designed for the high resolution recording standards of DSD Audio. The DS-D98 is the only system where multiple DSD recorders can be synchronized for multitrack recording for up to 32 DSD tracks, and the exclusive tape-based machine capable of SACD recording.

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DA-45HRThe DA-45HR builds on the feature set from the DA-40, and brings the machine into the 24 bit recording realm.

The DA-45HR is the world's first 24-bit DAT recorder. It is capable of writing full 24 bit, high resolution data to the standard DAT tape. This allows you to have an affordable, simple solution for 24 bit recording. The DA-45HR can also serve as a standard 16 bit DAT solution, reading and writing DATs created on standard DAT machines.

Since the DA-45HR can serve as both a 16 bit and 24 bit DAT recorder, it can be installed in place of a standard 16 bit DAT recorder. You don't need two separate machines to have dual functionality.

Another helpful feature is the Word Clock I/O on the DA-45HR. Word Clock In and Thru allow you to clock to an external source on playback. This is key for integration into larger digital set-ups with a central clock source.

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DV-RA1000The new TASCAM DV-RA1000 recorder is a professional solution for recording high-resolution audio - up to 192kHz/24-bit - to inexpensive DVD media. The new recorder even features Sony's DSD format, the basis for audiophile Super Audio CDs, as an available recording format. Its professional I/O includes balanced XLR connections, AES/EBU and SDIF-3, and it records standard CD-DA, WAVE and DSDIFF files to CD and DVD discs. The DV-RA1000 can also operate as a professional CD recorder, recording standard audio CDs for studio or meeting room installations.

The DV-RA1000 features digital recording formats from CD audio resolution all the way up to 192kHz/24-bit and DSD recording ? the formats used by DVD Audio and Super Audio CD. This rackmount stereo recorder features a user-friendly design on the front panel and professional connections on the back. Advanced features like a USB 2.0 connector, RS-232 serial control and multiband compression and EQ establish the DV-RA1000 as the new standard for studio mixdown recorders.

双面判官

头晕[s:18]

999369

原帖由 双面判官 于 2009-5-31 01:29 发表
头晕[s:18]

[s:97] [s:97] 這樣才是開始專業的第一步[s:97] [s:97] 功能規格複雜[s:31]

也容欲

原帖由 双面判官 于 2009-5-30 02:28 发表


不知兄台用的具体是什么型号的CD和DAC？以什么方式连接？

TASCAM cd-450,DCS954,AES/EBU连接。

999369

专业功放一样音质偏硬？一般玩音響都是用舞台及現場的強力或高功率功放。
但也分很多等級，不同頻寬部份用不同等級之功放或以專業人員之經歷，選擇搭配不同的功放而出好聲（觀眾都是付了錢的定要提供完善的音效）。如﹕高頻、中頻、低頻都會選用不同規格、型號。
專業功放也是有很多不同的型號，用在不同的專業功能上[s:61]

##  專業等級 ##   的專業功放

[ 本帖最后由 999369 于 2009-5-31 08:12 编辑 ]

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dCS 904 Analog to Digital/ * dCS 904 $7,449.95

dCS 905 Analog to Digital/ * dCS 905 $7,729.00
dCS 954 Digital to Analog/ * dCS 954 $7,149.00

dCS 955 Digital to Analog/ * dCS 955 $7,729.00
dCS 974 Digital to Digital/ * dCS 974 $7,849.00

dCS 980 SDIF-2 Word Clock Distribution Box/ * dCS 980 $2,149.00

dCS 988 AES/EBU Distribution Box/ * dCS 988 $2,149.00

dCS 992 Master Clock/ * dCS 992 $5,849.00

dCS 995 Master Clock/ * dCS 995 $6,429.00