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楼主: 枫丹白露

[碟机] 山灵CD-S100MKII

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发表于 2009-5-22 10:29 | 显示全部楼层
S100MKII似乎档次低了点[s:18] [s:18] [s:18]
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发表于 2009-5-22 10:39 | 显示全部楼层
喜欢就好
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发表于 2009-5-22 11:37 | 显示全部楼层
解释力不错
签名被屏蔽
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 楼主| 发表于 2009-5-22 20:30 | 显示全部楼层

回复 19# 精锐音响 的帖子

[s:68]
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
音联邦
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 楼主| 发表于 2009-5-23 06:38 | 显示全部楼层
说的好像是换运放的事,哪位高手给翻译下:
On the Shanling CD S100 MK II there are four OPA604AP's in the IV section. These can be replaced by either OPA627AP's or BP's 8 pin DIP op amps and are a direct replacement.

The filter section uses a single OPA2604AP (8 pin DIP) dual op amp so you need an adapter to combine two OPA627's to match the required 8 pin DIP configuration. I used a prebuilt adapter from Parts Connexions which uses two OPA627AU surface mounts to convert to the 8 pin DIP configuration. There may also be an adapter that will convert two 8 pin DIP op amps to a single 8 pin DIP setup but I haven't looked into these???

Hope this helps ... Gord SW Ont.
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
香港弦声音响
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 楼主| 发表于 2009-5-23 06:43 | 显示全部楼层
不知道这是不是国外的枪手?[s:30]
(原网页地址:http://www.audioasylum.com/revie ... /digital/83728.html

When it was available in North America, the Shanling CD-S100 cost $699 in Canadian dollars, and came to be placed at the top of its price class. That original player has been replaced by a Mark II version at CDN$999.

I owned a Shanling CD-S100 for nine months before selling it to buy a CD-S100 Mk II. Is it worth spending the extra money for the Mark II version? In a word, yes. In my opinion the new player represents a great big step towards the high end.

The S100 is remote-controlled. It has a Philips CDM 12-10 transport controlled by a CD7 servo. The D/A converter is a Burr-Brown 1732 24-bit/96kHz chip. The output stage uses OPA 2134 op amps. The S100 has HDCD decoding and built-in 24/96 upsampling, permanently swiched into the circuitry. It has an attractive low-profile design with a round display window in the center of the front panel. Its power cord is detachable and substituting an upmarket power cord allows extra detail to come through in the sound. The S100 is remarkable for true timbres and rhythmic drive, and it is even more remarkable as a value for money. Still more can be had from it with aftermarket upgrades to internal parts.

The CD-S100 MkII has a higher chassis, a thicker front panel, and it weighs a good deal more than the smaller player. Its display window is rectangular and is placed under the disc drawer. The front panel “On” button is actually a standby mode switch; the power switch is at the back on the left. Powering up turns a front panel LED red and pressing the standby button turns it green. The player has a newer version of the Philips transport/servo system in the S100, a Burr-Brown 1738 decoder and OPA 604 op amps. HDCD is absent. There is 24/96 upsampling, switchable from the remote. The remote control is heavy, with larger buttons than the smaller player’s. You can also control volume from the remote. The three RCA output jacks on the back panel (one digital, two analog) are of excellent quality. The power cord is detachable.

It is worth noting the construction quality of the two players. The S100 is cleverly made. Note the detail in the photo of the front corner. The front panel looks like solid metal until you take the top plate off, when you see it is actually a folded plate. The execution of the metalwork is excellent and it appears the company has gone to some trouble to get it looking right.

The MkII version looks just as good, but for different reasons. It has a solid metal front panel, heavy and rigid--see the photo. The top plate and the rest of the chassis are similarly heavy-duty. Extra money spent on structural integrity does not necessarily show up at first glance, it’s not mentioned on a spec sheet and only careful buyers generally appreciate it. However solid construction makes a big difference in resonance control and isolation from vibration, both necessary for good sound. This is the feature of the S100 Mk II that suggests most clearly to me that the designers’ first priority was music.

A look at the internals of both players shows up several differences. The S100 has the same shielded power transformer and prefilter board as the MkII but the rest of the power supply circuitry is on the same board as the audio. The S100 Mark II’s transport is shielded. the original S100’s is not. Lots of space inside the box means reasonable isolation of the components in the S100, but the MkII has even better isolation while being much more overbuilt.

Does the different construction of the Mark II make a difference in sound? The MkII preserves the timbres and drive of the S100 but adds a new level of detail and realism. Voices have more presence and emotion, ensemble sounds are more coherent. There is a better sense of a musical event. The S100 needs a power cord upgrade to provide a sense of hall sound but the MkII has that out of the box. Switchable upsampling on the Mark II makes it possible to discover your preference. I came to prefer upsampling for most types of music, but I liked small instrumental ensembles, string quartets for example, without it. I didn’t use the remote volume control, preferring the sound when I used my preamp, but in some applications this feature would be very convenient.

The original S100 did not seem to me to be a bad player—quite the contrary. I was delighted with its sound in my second system and could find nothing better at the price. However I gained a whole lot in musical involvement by moving to the S100 Mark II. In fact, the Mark II designation does not seem to me to do the player justice. I would prefer to think of it as a whole new player. It doesn’t look like the S100, and inside the box the only common elements are the transport mechanism, part of the power supply and perhaps the clock. All in all the S100 Mark II seems to me to be twice the player the S100 is, for a lot less than twice the money.
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
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 楼主| 发表于 2009-5-23 06:48 | 显示全部楼层
专帖讨论山灵S100MKII的升级:
http://www.diyaudio.com/forums/showthread/t-130568.html
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
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发表于 2009-5-23 08:07 | 显示全部楼层
我多年来一直就是用的山灵的CD机。感觉还行吧。[s:37] [s:37] [s:37]
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 楼主| 发表于 2009-5-23 09:56 | 显示全部楼层

回复 24# 阳关残雪 的帖子

兄弟用的是哪一款啊,说来听听。
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
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发表于 2009-5-23 10:04 | 显示全部楼层
原帖由 枫丹白露 于 2009-5-23 09:56 发表
兄弟用的是哪一款啊,说来听听。


我这款CD机可是早了,是山灵当年获奖的那款,HDCD-12,用的是1704芯片。听了快十年了,音质不错一直没有舍得换掉他。中间换过两次光头,一次支架。现在呢只是用他作转盘用了,加了一台解码器。[s:21] [s:21] [s:21]
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 楼主| 发表于 2009-5-23 10:13 | 显示全部楼层
山灵的CD素质还是不错的,我此前用s100,6年了一直很正常(现在还用着,放在卧室,偶尔听听),不满意它的声音的清淡,现在换上了s100mkii,感觉声音厚实了不少。
纯音MU23(同轴输出)+相位传真DAC-1+丽磁LM-211IA+金琅优闲2号标准版
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发表于 2009-5-23 10:20 | 显示全部楼层
原帖由 枫丹白露 于 2009-5-23 10:13 发表
山灵的CD素质还是不错的,我此前用s100,6年了一直很正常(现在还用着,放在卧室,偶尔听听),不满意它的声音的清淡,现在换上了s100mkii,感觉声音厚实了不少。


其实很喜欢他家的T300,只可惜口袋里的银子不支持[s:14] [s:14]
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发表于 2009-8-4 01:20 | 显示全部楼层
其实这个机子和MBL的1431是一个模板里出来的
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发表于 2009-8-4 01:35 | 显示全部楼层
[s:14]
Sara......

16年的重庆森林.......
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发表于 2009-8-4 08:31 | 显示全部楼层
这机如果换运放的换就换5534,把OPA604换成5534,换成627是不行的,我对比过了,换5534韵味是最好的.627解晰力会好一点,但是中频凹限.[s:15]
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