飞利浦PHILIPS CDR 765专业双盘CD刻录机 可做转盘

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飞利浦PHILIPS CDR765专业双仓盘CD刻录机，北美版120V，左仓为刻录仓，右仓为阅读仓，可以对录或者外录。可以作为刻录机，也可以作为高级CD音源，转盘使用，配刻录仓遥控器，电压：120V，产地：匈牙利。保证音乐复制100%原汁原味，效果一流！必须使用音频专用刻录盘，才可以刻录使用哦。价钱820 有意购买需要实物图的朋友请加QQ511452252或者电联18677081289

[size=+3]PHILIPS CDR765
	120,000yen(around the 1999 time)

[size=-1]Description [size=-1]The audiodisk recorder of the double deck. The double-speed sound recording, and 2 disk concurrent / random play and 2 disk changer functionality are carried. A recording level is automatically optimized by OPC loading. The Dailekh Trine sound recording (DLR) which carries out lock on directly from a 44.1kHz voice source Separate output from a CDR disk and compact-disk disk Recording quality is equivalent to the original voice source. Separate output from a tray 1 (sound-recording play) and a tray 2 (only for a play) The sound recording/playback of a digital-audio CD-Recordable disk and a CD-RW disk are possible. It is a play possible (single compact-disk correspondence) about all the audiodisks. The track numbering machine functionality by auto or a manual is carried. The compact disk-synchronous auto start sound recording from a digital voice source (44.1kHz) is possible. A bit stream analog-to-digital converter and a 1-bit digital analog converter are carried. The SCMS serial copy management system is carried. A special-NetWare-program play of a maximum of 30 tracks is possible using both a tray 1 and the tray 2. The remote controller is attached.

[size=-1]Rating of a mode [size=-1]Form [size=-1]compact-disk recorder [size=-1]The number of channels [size=-1]2ch [size=-1]Frequency characteristic (digital in) [size=-1]20Hz - 22.05kHz [size=-1]S/N ratio [size=-1]Play: 100dB Sound recording (analog): 90dB Sound recording (digital): Recording quality is equal to the original voice source. [size=-1]Dynamic range [size=-1]Play: 95dB Sound recording: 92dB [size=-1]Total-amount harmonic distortion [size=-1]Play: 85dB (0.0056%) Sound recording: 85dB (0.0056%) [size=-1]Line-output voltage [size=-1]2Vrms±2dB (compact-disk+CD-Recordable) [size=-1]Digital coaxial output [size=-1]0.5 Vp-p/75ohms (compact-disk+CD-Recordable) [size=-1]Headphone [size=-1]Vrms/8 0.5ohm - 2000ohms [size=-1]Digital coaxial input [size=-1]44.1±100 ppm (direct sound recording) [size=-1]Digital optical input [size=-1]44.1±100 ppm (direct sound recording) [size=-1]Analog input [size=-1]500mVrms/50kohm = 0dB (four step -3., 0, 3 or 6dB) [size=-1]Play functionality [size=-1]Simultaneous play (recorder + player) The random play from two disks Direct track selection Following / the front track selection A forward / reverse retrieve Repetition (all the /1 track) Special-NetWare-program play (from two disks to 30 tracks) Time window switchover [size=-1]Sound-recording functionality [size=-1]The sound recording to CD-Recordable and a CD-RW disk The sound recording from the interior / external source Usually, and a double-speed sound recording (disk) The autostart sound recording for every disk The last track erasure (CD-RW disk) All the clear disks (CD-RW disk) Index erasure (retape to recorded RW disk) A manual / automatic track increment Residual sound-recording time window Finalize (disk play corresponding to a compact disk player) SCMS (serial copy management system) Automatic-switch over at the time of the analog recording of an overwrite disabling disk / track rid code (Recorder Unique Identifier) [size=-1]Power source [size=-1]AC100V [size=-1]Power consumption [size=-1]20W [size=-1]Operating temperature [size=-1]5 degrees C - 35 degrees C [size=-1]Dimensions [size=-1]Width 435x height 88x depth of 305mm [size=-1]Weight [size=-1]4kg [size=-1]Adjunct [size=-1]Remote controller Audio cable (x2) Digital coaxial cable AC power cable

Gordon Reidtries out Philips' updated dual-deck CD recorder, and finds that a number of improvements have now made the machine more usable in the studio.
Philips dominate the domestic CD-R world and, despite the successes of other manufacturers in the pro-audio field, it claims 80 precent of the current world market for CD recorders. It also commands about 50 percent of the European market for blank discs, doing so again by controlling the domestic market.
Given its dominance, you may be surprised to learn that Philips launched its first consumer CD recorder just three years ago. The CDR870 used a computer-industry mechanism called the CDU3610, with separate devices for A-D conversion, D-A conversion, and digital I/O. Unfortunately, this lack of integration made the 870 expensive to manufacture, so it was never going to penetrate very far into the domestic hi-fi world. Perversely, its dependence on so-called 'consumer' blanks also caused it difficulties in professional circles.
Meet The Family
In 1998, Philips replaced the CDR870 with the CDR880, and simultaneously added four more machines to the range. Of the new machines, the greatest impact was made by the CDR765 -- a dual-mechanism recorder at a ground-breaking price.

PHILIPS CDR778￡299 pros I enjoyed glitch-free operation at all times. Extremely simple to use. Excellent value for money. cons Converters not good enough for a pro studio Limited to using so-called 'consumer' blanks. summary The CDR775 is an ideal machine for copying CDs, but will allow for both lawful and unlawful use. It's also excellent value for money. However, it's neither the cheapest nor the best-sounding machine in Philips' range so check out the CDR770 and CDR951 before any buying decision.

Mechanically and electronically, the drive and electronics inside the 765 were almost identical to those of the obsolete 870, so it retained its predecessor's dependence on consumer blanks. Furthermore, it suffered from a number of problems, the most damning of which was its penchant for placing audible thumps between tracks recorded individually (in track-at-once mode). This made the 765 virtually useless in the studio and, as if that wasn't serious enough, the unit's D-A converter was audibly inferior to that of even a moderately priced hi-fi player. Sure, it was astounding value for money, but in crashing through the price barrier Philips didn't get the engineering quite right.
This year, things have improved considerably with the release of another new range of Philips CD-RW products. The company announced two of these in 1999 -- the CDR770 and the CDR570 mini-size recorder. Of the new models for 2000, the CDR951 is the top-end machine -- remarkable given that it is priced at just ￡399. The CDR775 (the subject of this review) replaces the CDR765, and there's a new domestic model, the CDR785, which incorporates a three-CD carousel. Finally, there are the FWR7 and FWR8 'systems' -- ugly ghettoblasters with CD changers and CD-RW recorders.
On removing the CDR775 from its box it's clear that little has changed cosmetically since the CDR765. Installation is simple: plug the power cable into the universal PSU's socket, connect the appropriate analogue and digital cables, and you're ready to go. There's no shortage of stereo inputs and outputs, all of which are provided on phono connectors. Because all inputs and outputs are available both on analogue and digital S/PDIF connections, I could simultaneously hook the machine to my amplifier, my Minidisc recorder, my D-A converter, and my desk, while at the same time supplying the CDR775's analogue input from my desk and its digital input from a second CD player. And that still left the recorder's single stereo optical digital input unused! The only real omission is that of an optical output, which may frustrate some users.
One Good Turn Deserves Another
Functionally, dual-deck CD-Rs such as this are designed to fulfil much the same role as dual-cassette recorders did, being as simple to o

The Great Leveller Three of the new models (the CDR785 and the two FWR systems) offer an optional Auto Level Control that normalises the levels of tracks when you compile CD-Rs from multiple commercial CDs. Philips claim that the ALC is not a compressor or limiter, but that the recorders scan the tracks for peaks, and then record at an appropriate level. These models also allow you to record between two markers when copying from one CD to another.

perate but just sounding a heck of a lot better. And, where dual-cassette decks were once decried by record companies as the works of Satan, dual CD-Rs are probably even more worthy of such condemnation. In this case, it's not helped by the fact that Philips have made it ludicrously simple to flout the law -- just stick a commercial CD in the right-hand tray, a blank in the left-hand tray, and press Record. Then, depending upon the record mode selected (fast, normal, or 'Make CD') the machine chunters away for a while before presenting you with a shiny, new, almost-certainly-illegal CD. In fact, Make CD even finalises the new disc for you! It's no harder using an external source: just select the appropriate input, and away you go. Philips' only nod towards anti-piracy is the inclusion of SCMS (the Serial Copy Management System) that stops you from making digital copies from an existing digital copy.
Compiling your own CD-Rs from individual tracks on disparate CDs is not much harder, although you have to program the 775 to record each track individually. I would prefer some form of pause function, for changing source CDs in between tracks, but I certainly had no difficulty using Philips' system. Recording CD-RWs is, of course, identical to recording CD-Rs, but with the ability to erase tracks. You are limited to erasing the last track (or tracks),or the entire disc -- you can't remove tracks from the middle of a disc -- but that's a limitation of CD-RWs in general, not of Philips' product in particular. I've read a handful of comments suggesting that CD-RWs might suffer drop-outs following 2x recording but, as far as I can see (and hear), these claims are completely unfounded on this machine.
You may think that the CDR775's dependence upon consumer blanks regains the moral high ground in terms of copyright, because -- in theory -- their higher prices are justified by a levy that should be passed back to professional recording artists. However, no-one has ever collected this levy in the UK, so it seems that it's simply an excuse to extract extra money from consumers.
Returning to the technology, the CDR775 also offers a Synchro Record capability for recording external sources. This starts the recording when it detects an input signal. Unlike earlier Philips CD-Rs, which

The Loophole Is No More In the past, you could cheat the consumer blank system. You did this by inserting a consumer blank, allowing the machine to read the special identifying code embedded within it, and then prising open the drive door to replace the disc with a standard CD-R blank. To me, this always seemed an extreme way to save a couple of quid, and it's now irrelevant... Philips have cured the 'fault' that made it possible.

clipped the first few milliseconds of an incoming track, the CDR775 handles this correctly -- see 'Hitting The Buffers' box below.
Other improvements include CD Text, a system that allows you to embed a description of up to 60 characters for each track, plus a 60-character overview for the entire disc. Furthermore, if a commercial disc already has CD Text already embedded within it, the 775 will copy this along with the audio -- this useful feature has been available on Minidisc recorders for years. The Easy Jog knob is also new on the 775, and a very welcome addition it is too. It lets you select the tracks to play and/or record, scrolls through the 775's menus, enters CD Text, and even doubles as a balance control for both analogue and digital inputs -- the latter is, incidentally, highly unusual on a product in this price range. And, while we're on about innovative features, the 775's 'convert everything to 44.1kHz' integrated sample-rate converter makes it simple to re-record, for example, libraries of ageing 48kHz DATs. But beware -- the conversion is not going to match that of a quality dedicated unit and is best avoided when not needed.
A few final touches include the ability to use the 775 as a dual CD auto-changer or, in DJ Mode, to use it to play a pair of CDs simultaneously -- of course, at this point, the individual analogue outputs become vital, for obvious reasons.
His Master's Voice?
First the good news: discs copied digitally on the CDR775 suffer no obvious degradation compared to the originals. Tests using my ow

Hitting The Buffers At the heart of the CDR775 and its siblings lies 16Mb of RAM and a new microcontroller called DASP. These replace some of the components in the earlier models, sorting out many problems, as well as making the new range cheaper to manufacture. In particular, a three-second audio buffer eliminates the thumps between tracks, and improves the performance of synchronised starts. DASP controls this by recognising a trigger when the input signal passes approximately -30dB, grabbing the previous 300mS from the buffer, and then fading the audio in so that there is no glitch at the start of the track.The CDR775 uses the same buffer to place track markers in the correct position after a period of silence. This means that, whereas previous models would clip the beginning of the music on playback, the new generation does not. Furthermore, if the system detects no signal for three seconds, it goes into a record-pause mode and dumps the unwanted data from the buffer. This has an extra benefit -- if you inadvertently start recording in the wrong place, just press Stop to dump the mistake before you ruin a CD-R blank.

n studio material (from both analogue and digital sources) showed that this fared equally well, especially if recorded using the digital input. Equally important, the thumps in track-at-once recordings have completely disappeared, even at the higher writing speed. Bravo Philips!
While many aspects of the CDR775 are an improvement on its predecessor, the two machines both suffer from equally mediocre D-A converters. What's more, the 775 I used actually seemed to be a little inferior to the 765 in reading scratched CDs. However, whether this is a systematic difference between Philips' models, or just the difference between two specific machines' lasers and alignment is something that I can't know for sure without checking dozens of units.
Setting The Record Straight
Apart from the quality of the D-A converters, I have almost no criticisms of the CDR775. Sure, I would like it to be built like a tank, not from moulded plastic, and I don't trust the flimsy CD trays used by today's low-cost equipment. However, given the ratio here between price and performance, I have no real grounds to complain. In use, I found it almost ludicrously simple. The new screen layout is both clear and informative, and the control logic is straightforward. I never once used the remote control, nor felt the need to do so. Compared to using a computer-based CD burner and software, it's idyllic.
So, why should you not buy one? Perhaps because Philips may themselves have a more suitable product for your needs. The single deck CDR770 is of equivalent quality but is substantially cheaper, for example. If your prime purpose is to use it in the studio, rather than for ripping off other artists' CDs, why pay more? Alternatively, Philips claim that the A-D conversion of the CDR951 reaches 'audiophile' standards, which may make it the better semi-pro choice. But whichever you choose, given its remarkable performance for the price, I can't discourage you from buying one of these units.

飞利浦的起源

荷兰飞利浦（PHILIPS）是世界上最大的电子，电器工业跨国集团之一，它还拥有日本马兰士 [img][/img] 公司的股份。产品主要面向一般消费者，因此经营哲学是特别重视广大的消费者，吧人民视为他们的最大资源，向他们全面提供优越的品质。飞利浦的总口号是：“让我们做得更好！”它正好反映了飞利浦公司不多前进的企业精神。 十八世纪的第一年，即 [img][/img] 1800年，意大利人伏打发明了干电池，揭开了世界电器工业的序幕，从此开始诞生了几家一直延续至今的电器著名企业，飞利浦是其中一家。飞利浦是由Gerard Philips与Anto Philips在1891年建立于荷兰的埃因霍恩市。现在公司的总裁是（布绍昌）博士，他在1938年出生于荷兰的吕伐登，从96年10月1日起任该公司的总裁和集团管理委员会的理事长。飞利浦的主要产品有照明设备，家庭电器，测量仪器，电子元器件，电信设备，电子显微镜，医疗器械等，在150个国家设有工厂和办事处二百余家，员工多达20余万，是一家国际性的巨人集团，每年销售额均以亿美元计。该公司最初只生产电报机，后来生产碳丝白炽灯，进而生产钨丝灯和真空管，收音机，唱机等。此外，他们还有庞大的唱片制造部门。 1914年，飞利浦建立了第一个研究实验室，开始研究物理学和化学，从而推进产品的革新。在第一次世界大战之前，飞利浦已经在美国和法国建立了一些推销公司，1919年，在比利时也建立了推销站；进入二十世纪后，推销站的数量突飞猛进的增加。飞利浦公司在过去的一个世纪以来，开发新科技产品不遗余力。1917年，飞利浦发明了可以放大无线电信号的真空管，1918年发明了X射线管，1925年进行了第一次电视试验，并已注册专利来保护它在X射线与无线电接收方面的重要技术革新成果。1927年。飞利浦公司发明了使用独立电源的收音机。1928年飞利浦公司的特勒根（Tellegen）和霍尔斯顿（Holst）发明了五极管。当时已有了三极管，但四极管的二次电子发射使其放大作用不能充分发挥。要抑制二次电子发射并不是一件容易的事，特别是还希望以高屏积压和高栅压工作时。飞利浦成功的在窗栅和屏极之间引入一个维特灯丝电压的抑制栅，发明了五极管。在1993年以前，五极管在高频和低频放大方面的应用非常普遍。1930年，飞利浦推出第一部留声机和扬声器，并制成了可以将声音录到唱片上的装置。1932年，该公司的收音机销量达到了一百万台；翌年，该公司生产了它的第一百万个收音机 [img][/img] 真空管，与此同时也在美国开始生产X光医疗设备。1939年，该公司发明了电视测试卡和选主电胡刨。后来还发明了电影院用的音响系统等。着时候，该公司在世界各地的员工有45，000人，产品销售额达到一亿五千二百万荷币。 飞利浦在科学与技术方面大展拳脚是在四十年代与五十年代之间开始，当时的主要研究项目是旋转磁头，晶体管和集成电路。六十年代的重要研究成果是CCD与硅的局部氧化。同时在电视图像的纪录，传送与重现方面也做出了重要贡献，并导致氧化铅视像管（一种电视摄像管）与改良磷光体，使画质显著改善。 在音响产品方面，飞利浦基本上采取自行制造的方针。整个扬声器系统自不待言，连驱动单元和唱头等都亲力亲为。其中有两种脍炙人口的发明。一是1963年推出的卡式录音机，他使飞利浦开始在国际音响舞台初露锋芒。二是该公司威名远扬的光碟，飞利浦推出倾力之做CD机LHH800RH曾成为音响界热门机种。 当初，飞利浦研制模拟卡式录音机，只为了用作秘书等口述纪录机，后来由于硬件以及媒介的磁带两者性能都不断提高，使这种系统的音质得到了极大的改善。不久，卡式录音机以在人们的文化生活中占据不可缺少的重要地位。按1989年的统计，卡式系统的普及一达到十分惊人的程度，举凡录音座，小型组合音响，CD收录机以及随身听耳筒机等与卡式系统有关的机器，全世界一年的销量达到三十一亿盒。向光学记录进军 1968年，飞利浦的负责人柯伦漠接收了开发部门的提议，用光源代替电磁来录放电影。他所用的光源是飞利浦刚研制成功的氦氖激光管，是屏幕上呈现出预期的方格黑白图像。但由于成本很高，一只激光管的批发价格为五千美金，所以无法将研究成果投入生产。 1972年，飞利浦首先研制出世界上第一张影碟VLP，同年十二月，美国的MCA亦展出了相仿的产品。74年，双方将此系统称为Philips/MAC方式。78年作为商品推出，揭开了LD产品的序幕。后来在80年首先由美国的一家大汽车公司订购了先锋的LD机VP-1000作为展示用途，随后是在美国其他几个州推销，可惜整体市场反映很冷淡。这是因为LD的500线水平解像度高画质魅力当时尚无表现机会。一般消费者觉得其图像质量并不比录影带好，软件内容也和录影 [img][/img] 带差不多，但价格却高的多，特别是这种光碟当时还没有统一的生产标准，不同的厂家产品互不兼容，每买一张碟时都要考虑它是否与驱动器匹配，是用户在选购时无所适从。LD得以出头，首先应归功于85年秋天开始的大画面，高画质浪潮——三菱推出世界第一部37寸电视机，水平解像度突破600线大关，唤醒人们对高画质的向往。不过，这以是LD诞生五，六年的事了。 虽然LD的起步相当坎坷，但飞利浦的董事局以从中看到了它的光明前景，决定同时研制影碟和音碟。由于旧式唱片的直径是30厘米，大家都认为光碟也应该保持这种传统规格，其尺寸与后来市面的LD差不多。两种光碟同时研制了两年。 1980年飞利浦发明了节能灯泡（悭电胆）。同年，飞利浦和先锋,MCA,IBM等公司在美国成立了“雷摄影视联盟”，准备开拓LD的新天地。不料八十年代初期JVC和索尼分别推出VHS和Beta录影制式产品；由于售价低廉，迅即成为抢手货，没有一家制片厂肯支援影碟制作，而且影碟机的价格长期居高不下，除了大公司利用它做业务之外，一般很少人光顾，只是飞利浦的第一批影碟产品血本无归。于是该公司暂时放弃了影碟市场，把希望寄托在音碟上。为了以质量取胜，音碟必须采取数码技术。这一招也为今后走向电脑奠定了良好基础。同时，飞利浦决定吧音碟的尺寸缩小为12厘米，希望以小取胜。 当时，松下，JVC已经开始开发自己的光碟，使飞利浦遇到敌手。依当时的形式，飞利浦必须与日本公司合作才能有取胜的机会，因为日本的家电产品以占据市场的九成。最佳的合作伙伴看来是索尼，因为索尼当时正与JVC在家庭录影制式上针锋相对。于是在1982年10月1日，飞利浦与索尼合作的音乐CD顺利面世（其规格俗称《红皮书》），是音响届从此迈进了一个新天地。小光碟标准中最大的一项改变是播放时间经双方商议，最后决定为74分钟。这一时间刚好能播放完贝多芬的第九交响曲《命运》，而且以 [img][/img] 著名指挥家卡拉扬最慢的指挥速度为准。据说，因为索尼的副总裁大贺对《命运》情有独钟，从而决定了CD的命运，也间接决定了以后VCD的命运，使他不能以一张影碟播放一套电影。 1981年，当CD机试制品出炉时，飞利浦举行了首次展示会。萨尔斯堡复活节音乐会响起了数码的《命运》交响曲。该公司还邀请了柏林爱乐团指挥卡拉到场试听。CD的声音使卡拉十分感动，会后，他手里举起一张CD，激动的对飞利浦负责人说：“这才是真正干净纯洁的音响！”从此，名目繁多的光碟接踵而出，令人目不暇接。后来这种小光碟CD取得了最后的胜利，迫使黑胶碟“退位让贤”。二十多年来，CD在唱片，影碟和电脑软碟市场上出尽了风头，已有一百多年历史的LP几乎在这一瞬间失去了它颠倒众生的魅力。产生这种悲剧的背景，无疑就是CD同时具有更高的使用方便性，更长的寿命和更高的音质效果。以CD-ROM迈向电脑领域 1985年飞利浦和索尼有联手推出读光碟CD-ROM的标准《黄皮书》，向电脑领域进军。86年是颇为重要的一年，因为飞利浦与山叶两家公司于该年联手合作，研究如何利用CD存储数据资料，从而派生出了LD-I（教育用）。同年，飞利浦又与索尼联合发表互交式光碟CD-I，曾名重一时。CD-I是将CD-ROM规格加以扩展，实现与电视对话，读取声音，文字，图像，成为面向家庭的下一代多媒体CD，其规格成为《绿皮书》。CD-I能以数码方式把声，文，图，像纪录在650MB的五寸CD上，并可以实现最具特色的互交式操作。互交式的含义是用户可以使用遥控器或操作杆等参与或修改正在播放的视听节目，即用户可以根据自己的思路和爱好去控制剧情的发展，让演员按用户的意思演出，并可以与节目中的人物进行逼真的对话，竞赛及游戏等。CD-I的HiFi立体声和以电影手法制作的优质画面不仅使人耳目一新，而且其互交式功能更令人有身临其境的感觉，为使用者增添很大的乐趣。而且CD-I本身除了可以播放配套的教育，娱乐软件外，亦可播放普通的 [img][/img] CD,CD-G和CD-Photo等其他CD家族软件。CD-I硬件很便宜，例如飞利浦当时推出的CD-I-205NP只售八千港元左右，其特色是可播放CD/CD-I/CD GRAPHICS/POHTO CD四种光碟，也就是说，它不仅能够重放音乐CD，而且亦适用于图像及文字等多种新媒介，可根据用户的爱好进行各种各样的讯息通信。机内装有CD-I活动画面系统，最场播放时间为74分钟。可选购附件有CD-I用的鼠标和滚球控制器。与CD ROM相比，CD-I的优点是可以录入部分活动图像。可惜，CD-I由于容量有限，不能同时兼顾画面，音质，互交功能，配合用户需要的软件在制作上也比较困难，制作成本高，故软件数量太少，因而终未能成气候。 1987年3月飞利浦推出可播放20分钟数码音响和5分钟静止画面的CD-V规格方案，令世界瞩目。他同时也成为后来的卡拉OK的奠基石。同年，飞利浦和索尼一起发表可录一次的光碟CD-WO规格，俗称《蓝皮书》，但由于这种光碟反射率低，不能由普通的CD机重放，后来就自然的销声匿迹了。1989年两家公司又发表了以有机色素材料作为记录膜的可录型CD和可录可销型光磁碟CD-MO，其规格被称为《橙皮书》。另外，作为可录CD的一个应用特例，还有照片CD(Photo CD)。它是在90年由飞利浦和柯达公司共同开发的，特点是兼有银盐照片的高画质和电子图像数据处理的简便性。由普通相机拍摄的照片通过扫描仪器变成数码后纪录在CD-R上，即可由照片CD机或CD-I配合家庭电视机来鉴赏。一张碟最多可记录100张照片，亦可分次补录。因此它不仅能满足家庭的需求而且还可以作为广告演示或商品目录等工具。 九十年代是飞利浦飞黄腾达的时期。1990年飞利浦发表了互动CD-I系统。同年推出了PAL和NTSC双制式的LD/CD兼容机PLD-600WS，从而使LD机可以打破常规重放PAL制式的影碟。翌年春飞利浦又推出采用数码压缩技术的DCC数码卡式制式。跟着，飞利浦在1992年推出可DCC王牌机DCC-900。DCC系统以飞利浦1963年发明的卡式录音机为基础，两者的尺寸和重量几乎一样，可录90分钟的节目，音质可媲美于CD，并可使当时通用的盒带不致被废弃。以前虽然已经有了一种了在磁带上放录数码音响的DAT，但由于它使用了与录影机一样的旋转磁头，在机器的小型化方面受到了很大的限制，所以一直未能大展拳脚。虽然飞利浦发明的DCC制式现已功成身退，地位被索尼发明的MD所取代，但DCC促进数码录音迅速普及化的历史功勋去不容轻视。小影碟崭露头角 1992年，MPEG标准诞生，确定了全活动图像的压缩标准，该标准在93年也成为CD-I的格式。93年3月，飞利浦和索尼在此基础上制定了全活动图像的DV卡拉OK光碟规格。同年秋，飞利浦，JVC，索尼和松下公司把DV卡拉OK进一步发展成为用途更广泛的1.1版VCD标准。不久，能够播放74分钟电影的VCD光碟便风靡全中国。其MPEG视频 [img][/img] 区和音频区是相互交错的，从而可以使视频信号被压缩到1/140，音频信号被压缩到1/6。现在，VCD规格被称为《白皮书》。这一年，飞利浦还与松下，索尼，汤臣共同推出家用数码录影机SD基本规格；家用数码录影机有SD和HD两种规格。SD与现行的NTSC等制式对口，HD侧与HDTV（高解像度电视）对口。 《白皮书》规格的VCD亦称为“CD-VIDEO”。它不同于1987年面世的CD-V，后者是由CD-G进一步发展而成的，没有压缩格式，只是在20分钟的CD歌曲上插上了5分钟的活动图像，画质和LD影碟相同。VCD是在91年以CD-I为基础发展而成的，它采用了MPEGI标准数码压缩格式来记录声音和图像。94年初，飞利浦和索尼一起推出2.0版VCD和DVD的前身MCD（多媒体CD）。第二版VCD产品正是上市是在96年。当时较引人注目的第二版VCD机之中，由飞利浦的CDC-711,AZ-6880和21PI288。CDC-771是专业级卡拉OK台式机，其轮盘式碟舱可以放入五张碟（包括12cm和8cm两种），便于编辑，最多可编程30段并可予以记忆。其它主要特色是音质和画质极高，各种功能十分丰富。AZ-6880是高级行人机，但无复杂的编辑功能和卡拉OK功能。此机不带液晶显示屏，外出是只能用来听音乐CD。21PI288是世界第一部VCD机与21寸电视机二合一的机种；该公司称之为“四合一机”，是因为它包含了卡拉OK和兼容于普通CD。飞利浦推出这VCD“一门三杰”，可适用于不同场合和不同人士的需要。迷你投影机与[超宽视霸] 1995年，飞利浦推出AC-3硬件和第三代新视 [img][/img] 霸电视机。同年，该公司与东芝集团原则上达成折衷方案协议，统一了DVD制式，使用可播放135分钟电影节目的光碟DVD得以正式问世。如果用DVD来录音，每张可录入贝多芬全套九部交响乐作品。值得特别指出的是，DVD信号调制技术是飞利浦发明的。同年，还联同JVC,松下和日立提出数码录影制式D-VHS的技术规格；支持该制式的公司则有汤臣，三菱，声宝，索尼，东芝，三洋，LG电子，SAMSUNG，富士，DTK，3M，KONIKA以及BASF等。D-VHS采用位流记方式，因而能直接接听机录数码电视广播等压缩式数码信号。另外，该制式还可以相对的增大磁带的容量，从而大大降低日常费用，这也是它的一个重要优点。预期D-VHS在多媒体时代的大容量数据存储等领域将有广阔的应用天地。 1995年6月下旬索尼与飞利浦推出了新一代多媒体CD的第二版，并发表正式的图标“MULTIMEDIA CD/MCD”。96年，飞利浦推出了手提DCC机DCC-170，可投射出100寸大画面的[小精灵]轻便液晶投影机LCP-5100，宽屏幕电视机[超宽视霸]系列等著名产品。LCP-5100的定价与当时的25寸多制式电视机不相伯仲，其体积小，重量知轻令人喜出望外；它的机身尺寸 [img][/img] 为167×173×119毫米，连75瓦射登在内的重量只有1.3公斤，和一般的单镜反光相机和手提摄录机差不多。因此，即可放在小茶几上，亦可挂在墙上使用；而且LCP-5100还便于携带外出，例如到亲友家中放映或在旅途中享受大画面的乐趣，在写字楼用来投影的一些以录资料也很方便。 另外，宽屏幕电视机[超宽影霸]也成为当时急剧震撼力性的话题。当人们正以为宽屏幕面电视机将成为日本厂家的一统天下时，飞利浦开始向市场他们在欧洲制造的两款宽屏电视机——32寸机和28寸机，先后在日本和香港市场推出。更出人意料的是，NTSC制式的28寸在日本市场亮相的时好评如潮，并在当地的权威性AV杂志龙虎榜上名列前茅，压倒了许多日本公司的同类产品，使日本人大吃一惊，也令消费者趋之若鹜。后来，两种[超宽视霸]多制式机在香港面世时也备受瞩目，其主要魅力在于采用全部数字式的画面噪声抑制，彩色瞬态改善和静象控制等。在特殊更方面则有双高频头画中画，包含了艳丽，自然，柔和与个人自设等四种模式的[灵智]图像选择，4：3传统比例，影院屏幕，电影扩张，宽屏幕四种画面尺寸控制等。另外，该系列产品还采用该公司独树一帜的倍速场扫描技术，使场频由传统的50（PAL制式）或60（NTSC制式）赫兹提高一倍，分别变为100或 [img][/img] 120赫兹，一举消除了电视机的一个老大难问题——画面闪烁现象。结果，不仅图像看起来稳如泰山，而且人眼也不易疲劳。另外，由于场频提高后，每场扫描两次，对比度也随之提高；同时图像的动态也显得格外的平滑流畅，层次益发丰富细腻，暗部和亮部的细节均纤豪必现，而且整个图像还平添了一种特殊的平衡度及柔和感。DVD开支散叶 1996年，飞利浦推出了DVD机，PCTV多媒体终端机顶盒及网络电视，还有第二版VCD机CDC-771,AZ-6880,21PI288及四合一VCD行人机4VCD-660。4VCD-660的设计很有创意，它几乎囊括了所有的视听讯源，除了可以播放VCD,CD,CD-I等之外，还可以由机 [img][/img] 上的拉杆天线接收电视节目或作为收音机使用，并可接驳录影机，电视机或摄录机等进行信号交流或处理。同年，飞利浦开始大力开发PDP等离子体平板显示技术。由于制作在高电压下能快速响应驱动固体IC器材的难度极大，因此PDP的制造成本还很高。目前，一台飞利浦公司新研制成的40寸PDP电视机的售价便高达1万4千多美元。97年，飞利浦的著名产品有迷你液晶投影机LCP/6000,采用10bit数码/模拟变换器的DVD卡拉OK机DVD840和CD录音机CRD-870。多制式100寸投影机LCP-6 [img][/img] 000的卖点是低售价，设计新颖机体纤薄，只有992厘米厚，便于收藏及携带。可录CD机CDR-870则属创新之作，CD家族从此可以实现数码录音的梦想。其主要特色在于基本解决了翻录的版权问题。另外，作为CD,CD-R和CD-RW的一种兼容机，他率先配备了。R.I.D.（录音机独特标志）码。结语 [img][/img] 飞利浦（Philips）在97年跟索尼发一起表了新的可录DVD(DVD+RW)规格。其简单容量为3.0GB，大于统一规格的2.6GB，而且记录信息的方式不同，所以两种规格将不能相容。由于索尼和飞利浦领导的财团在可纪录式和可多次纪录式光碟机在市场上的占有率超过七成半，新标准没有增加任何特征，可以在普通的DVD机上操作，不需要额外添加设备，因此这一制式之争可能会风高浪急，相当紧张刺激。另外，在1998年2月17日，飞利浦与索尼两家公司宣布合作的Super Audio CD制式，并预定最迟在3月推出0.9版的规格。Super CD将可显著改善传统CD的记录品质。 至今，飞利浦在欧洲有五个研究室，各种发明创造的专利权也已超过了六万项，即平均每年约六百项！但在AV领域，最使人们念念不忘的得还是对AV世界，电脑界乃至整个社会贡献最大的光碟。 林林总总的镭射光碟，不仅改变了音像产业的发展前途，更是多媒体电脑如虎添翼，由飞利浦开拓的光碟世家将一代代地繁衍下去，永远不会完结。

huanglang

专用音乐刻录盘啥情况，市面上的普通刻录盘不能用嘛？
还有能否接电脑数字输出进行刻录？

黄一鸿

空碟都可以，那个是网上资料，好像只能以碟刻碟

0973

这个好呀！真正同步、同频罐录。

黄一鸿

已出封贴