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本帖最后由 eslei 于 2023-1-21 19:28 编辑
一位很值得贊赏的烧友,真心直説无的嘲讽意思,推荐的一篇发表在科学杂志上的论文 https://www.jdbbs.com/thread-8648370-1-1.html 又引起论坛热潮。这烧友的意见也很中肯 https://www.jdbbs.com/forum.php?mod=redirect&goto=findpost&ptid=8648370&pid=168369941 其他正反双方却是气氛高涨。尊贵的教授挑战 asr 怎么发展未有定数,先来看看论文。
学者终归是学者文章钜细无遗,很有説服力。开头的引言立论却挺有意思,节录和粗译如下,
Introduction
Music reproduction spans a wide spectrum in sonic fidelity, ranging from mainstream consumer applications (e.g., portable devices and computer audio) to elaborate “high-end audio” (HEA) systems. The latter typically consist of separate specialized components such as optical transports, digital-to-analog converters, preamplifiers, power amplifiers, and loudspeakers. Interlinking cables between these components are an inevitable necessity. The possibility that cables might affect a system’s sonic performance remains a controversial and contentious subject, because of the rarity of published research proving audibility of cables (and for that matter the audibility of any audio-configuration change other than replacing the loudspeakers). Nevertheless, there is a sea of anecdotal claims by audiophiles that cables influence sonic performance, and there exists a well-established audio-cable industry.
引言
从主流消费层级(如便携式设备和计算机音频)到精心设计的 “高端音频”(HEA)系统,音乐再现的保真度涵括广泛的档次。后者通常由单独的专用组件合成,如光传输器、数模转换器、前置放大器、功率放大器和扬声器,互连綫材应用这些组件之间是不可避免的。綫材会影响系统回放声音的可能性仍然是一个激烈争议的话题,因为很少有公开的研究证明綫材的可听辨性(以及除了更换扬声器之外任何音频配置变化的可听辨度)。尽管如此,发烧友们仍有大量传闻称綫材会影响声音性能,而且成熟的音频綫材行业确实存在。
好一句 綫材会影响系统回放声音的可能性仍然是一个激烈争议的话题 立论的重心实质是一个僞命题,綫材争议的正、反方对这可能性的绝对性都持肯定态度。正方就无需详述,一耳朵就可区别大有人在。反方也没否定有区别,只是讯问区别可闻度怎么界定。讲绝对无区别的通常是正方极少数人强加于反方的偏激言论。
教授的学术高深毋庸置疑,终归是象牙塔产物,用潮点的语言就是不接地气,能理解那 14 个列式的烧友有几许?搞到如此複杂去证明有人认爲初中知识就可论证,证明绝对的有和无不需要高深理论,并已有共识的议题有必要吗?
教授还有很多的学术文章,如 http://boson.physics.sc.edu/~kunchur//papers/Stereo-height--Kunchur.pdf
3D imaging in twoヽhannel stereo sound: portrayal of elevation 双声道立体声中的 3D 成像:高低的定位
另一个很有趣的音频再现议题,此篇来看看他的结论,
CONCLUSIONS
This experiment conclusively proves that a correctly set up twoヽhannel stereo system can in fact portray not only depth and lateral width (azimuth), but also elevation for appropriately recorded material. The present experiment should be distinguished from ones in which spectral notch filtering and directional band boosting have been employed to
artificially manipulate image elevation. Auditory elevation﹍ocalization models that include temporal/spectral mechanisms due to torso and shoulder reflections, in addition to the HRTF﹕pectral mechanism,
explain why height differentiation might be perceived in purist recordings that have not been artificially manipulated. For live performances with acoustic instruments, this work underscores the value of microphone techniques that record from a distance the entire sonic space (including the reverberation and other classes of reflected sounds) to capture the three dimensionality in a natural way, as long as timeヾomain accuracy is maintained during playback.
结论
该实验最终证明,正确设置的双声道立体声系统实际上不仅可以显示距离和横轴(方位角),还可以重现正确录音的竖轴。本实验应与使用频谱陷波、滤波和定向带增强得出虚似的结像仰角的实验区分开来。听觉的 纵向-定位 模式除了头部相关频谱机制之外,还包括躯干和肩部反射引起的 时间/频谱 机制,这解释了为什么在未经人为加工的纯净录音中可能会感知到高度差别。对于乐器的现场演出,这项实验强调了麦克风录音技术的重要性,麦克风技术可以从远处记录整个声音间(包括混响和其他类别的反射声音)以自然的方式捕捉三维,在回放过程中只要保持时域精度。
关键字 听觉的 纵向-定位 模式除了头部相关频谱机制之外,还包括躯干和肩部反射引起的 时间/频谱 机制,这解释了为什么在未经人为加工的纯净录音中可能会感知到高度差别。 哪两位烧友有相同的体型又有相同的聼觉?哪位普罗大众拥有完全未经编辑的录音?当然还要加上下列的先决条件, 这项实验强调了麦克风录音技术的重要性,麦克风技术可以从远处记录整个声音空间(包括混响和其他类别的反射声音)以自然的方式捕捉三维, 在回放过程中只要保持时域精度。 这些要求实验室也不容易达到,教授是要语不惊人誓不休啊。
写到这裏已经是南半球接近午夜,马上要进入兔年,各位烧友 恭喜发财!!!
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